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Membership

AWRANA membership lasts for 3 years. Membership fees contribute towards the operating costs of the AWRANA organization and awards for student travel to the AWRANA conferences.

 

Fees are:

  • Student = 30€ 

  • Professional = 50€

Are you new? Welcome! Contact us at awrana.international@gmail.com if you have any questions about becoming a member, or to ask about details of your current membership status

Current members
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Delft University of Technology

Use-wear analysis, residue analysis, adhesives, human evolution, prehistory

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Visiting Research Fellow Newcastle University

Bronze Age; Ancient Technology; Personal Ornaments; Italian Archaeology; Arabian Archaeology

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CNRS-Université de Nice-CEPAM

Upper Paleolithic, ethnoarchaeology, hide processing, experimentation.

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Independent Researcher

Stone tools, Use-wear, experimental archaeology, lower and middle Paleolithic

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University of Johannesburg

Bone tools, micro-wear, manufacturing technology

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Universidad de Las Palmas de Gran Canaria

use-wear analysis; lithic tools; volcanic rocks; obsidian; basalt

photoNaya - Naya Cadalen.jpg

Archéologie des Amériques, CNRS UMR 8096

Mesoamerica, Pre-Columbian civilizations, Obsidian tools, Flint tools, Experimental reference frameworks,

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TraCEr, LEIZA

Quantitative use-wear analysis, Research data management, Protocols, Guidelines, Surface texture analysis

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Université de Bordeaux

Bone tools ; Middle Palaeolithic ; Neanderthal ; Human remains ; Symbolism

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Autonomous University of Barcelona

Prehistory, use-wear analysis, pottery, food

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Institute of Archaeology of the CAS, Prague

ground stones, grinding stones, use-wear analysis, Bronze Age, Anatolia

foto tamaño infantil - Paloma Domínguez.jpg

Universitpa degli Studi di Ferrara

Use-wear analysis, obsidian, basalt

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Simon Fraser University

Residue analysis, Neanderthals, pyrotechnology

Luc.webp

Bordeaux University

Use-wear analysis, bone tools, pleistocene, cultural evolution

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University of Sassari

hard animal material industry, use-wear analysis, bone tools, prehistory, craft activities

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Université Côte d'Azur

Pre-pottery Neolithic ; Levant ; Megasite ; Techno-functional analysis ; Confocal microscopy

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Ingrid Dyson

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Université de Rennes

Paleolithic, techno-economy, lithic industry, hunter-gatherers, cold environments

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UMR 8215 Trajectoires

usewear analysis, flint, fish, coastal context, final neolithic,

Eva-Halbrucker.webp

Ghent University

Flint, Microwear analysis, prehistory, residue analysis

photoProfil - caroline_ hamon.jpg

CNRS UMR 8215 Trajectoires

neolithic; Bronze age; ground stone tools ; food production ; ethnoarchaeology

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University of York

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University of Leicester

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University of Cologne, Institute for Prehistoric Archaeology

Mesolithic; Neolithic; residues; use wear; ground stone tools

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University of Geneva

Gold, Materials, Neolithic, Bronze Age, Europe

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Masaryk University Brno, Department of Archaeology and Museology,

use-wear, lithics, ceramics, recycling, resilience

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University of Calcutta, Department of Anthropology

Use-wear, Experimental-archeology, Indian prehistory, Ethnoarchaology

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Delft University of Technology

Adhesives, human cognition, residue analysis

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Leiden University

Bone technology, organic material culture, experimental archaeology, zooarchaeology, use-wear analysis

Camille.webp

Paris University

Lithic, Mesolithic, Neolithic, Northern France

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Technical University Delft

Materials science, experimental archaeology, residue analysis, adhesives

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Sapienza University of Rome

Use-Wear, Residues, Prehistory, Human Evolution, Craft Activities

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Leiden University

Use-wear analysis, taphonomy

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Independent Researcher

RTI, Lithic, Prehistory, Wear and Residues, Experimental Archaeology

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The University of Tulsa

use-wear quantification; confocal microscopy; surface metrology; Southwest Asia; Jordan

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CNRS - UMR 8215 Trajectoires

Neolithic, Bone antler & teeth tools, Traceology

foto - Anna-Marie Ourodová.webp

University of Hradec Králové

use-wear and residue analysis; Mesolithic; aquatic resourses

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Archaeological museum of Istria

neolithic, use wear, Starčevo culture, Impresso culture

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LEIZA

Pleistocene Archaeology, stone tools, traceology

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Université de Bordeaux

bone tools; experimental archaeology; taphonomy; Pleistocene; use-wear

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University of Pisa

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Spanish National Research Council (IMF-CSIC)

Neolithic, lithics, SW Asia, SE Europe, obsidian

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Instituto Internacional de Prehistóricas de Cantabria

Personal ornaments, Hunter-Gatherers, Symbolism, Use-Wear, Social Networks

Foto_Patricia Pérez - Patricia Pérez-Martínez_edited.jpg

Instituto de Investigaciones Antropológicas (UNAM)

Hunter-gatherers, Early peopling of the Americas, lithic technology, Use wear, Experimental Archaeology

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CNRS, Université de Toulouse

Mesolithic, Early Neolithic, lithic industry, use-wear analysis, expérimentation

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Associate Researcher UMR 5133-Archéorient Maison de l'Orient et de la Méditerranée

Late Prehistory; SW Asia; Lithic Technology; Early Farming Societies; Cultural changes

Anony

Samuele Pietrazzini

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Universitat Autònoma de Barcelona

Phytolith, Archaeobotany, Geoarchaeology, Functionality, Prehistory

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TraceoLab, University of Liège

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Università La Sapienza di Roma

Lithic technology, Holocene, Horn of Africa, Use-Wear Analysis, Impact fractures

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Leibniz-Zentrum für Archäologie (LEIZA) - TraCer

use-wear, deep-learning, machine-learning, quantitative analysis

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Streichardt & Wedekind Archaeologie

Organic material, microwear, prehistory, science communication, experimental archaeology

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University of Leicester

Ground stone technology, metals, use-wear analsysis, material culture

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Leiden University

Microwear, ornaments, flint, experimental archaeology, flint

foto2025 - Davide Visentin.jpg

University of Ferrara

Lithic technology, prehistory, experimental archaeology, palaeoecology

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University of Basel, IPAS

Palaeolithic lithic technology, Experimental archaeology , microwear analysis on bone and stone tools

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AWRANA logo designed by Mary Étienne, in collaboration with Veerle Rots, ULiège, Belgium. This website, created by Matilda Siebrecht, is based on the original website created by Mary Étienne in collaboration with Veerle Rots.

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